John McGregor Photography
 
 
     
Graffiti Building by John McGregor
...FIVE POINTZ GRAFFITI BUILDING
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Chrysler Building Reflection in the UN Secretariat Building
...EMPIRE STATE BUILDING NIGHT
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Grand Central Terminal
...GRAND CENTRAL TERMINAL
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Brooklyn Bridge
...BROOKLYN BRIDGE
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Statue Of Liberty
...STATUE OF LIBERTY
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Chrysler Building
...CHRYSLER BUILDING NIGHT
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Coney Island Cyclone
...CONEY ISLAND CYCLONE
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Manhattan Skyline
...MANHATTAN SKYLINE
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Empire State Building From Brooklyn
...EMPIRE STATE BUILDING FROM BROOKLYN
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Chrysler Building Reflection In UN Sec
...CHRYSLER BUILDING REFLECTION IN UN SECRETARIAT
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Brooklyn Navy Yard
...BROOKLYN NAVY YARD
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Staten Island Ship Graveyard
...STATEN ISLAND SHIP GRAVEYARD
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Brooklyn Rainbow
...BROOKLYN RAINBOW
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Manhattan From Queensboro Bridge
...QUEENSBORO BRIDGE VIEW
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Museum of Natural History
...MUSEUM OF NATURAL HISTORY
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Graffiti Van
...GRAFFITI VAN
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Empire State Building Day
...EMPIRE STATE BUILDING DAY
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Surf
...SURF
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Colorful Crowd
...CROWD
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Elephants
...ELEPHANTS
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Images © John McGregor
 
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"John takes a refreshingly new and original approach to New York photography." [brokeassstuart.com]

"His prints will pull you in, turn you around and make you come begging for more." [artistsandfleas.com]

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Ordering Information

Please visit my online storefront.

If you have any other questions, or to arrange a visit to my Brooklyn studio email me at mcgregor25@gmail.com or reach me at 718.986.7656 anytime.

 
John McGregor
John McGregor

I photograph big and colorful urban landscapes in New York City. I want my photos to have the perfectly straight lines of architectural blueprints, so I routinely position my camera squarely to a scene and shoot it in a grid of smaller sections using a telephoto lens.

By seamlessly piecing these segments together I end up with a full view, while avoiding the distortion a wide-angle lens would yield. This also gives me a high level of detail even at very large scales.

My photos can be viewed the same way our visual perception works: we quickly understand an overall scene and notice vivid color, but then we examine the details that catch our eye. In my pictures these details are often asymmetrical elements that are contained in the grid-like framework of the composition.

BACKGROUND:
After getting a Fine Arts degree from Penn State I worked as a photojournalist eventually shooting for the Associated Press. In NYC I've freelanced for fashion designer Diane von Fürstenberg, tattoo artist Paul Booth, and rapper Jim Jones. I taught a photo class for adolescents at St. Luke's Hospital and recently had a solo exhibit at Joe's, a coffee shop in Chelsea. I currently live in Williamsburg, Brooklyn.
 
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